The setting was Baroque. A Kubrickian glass rectangle floated mid-stage, covered in a hologram sticker. It served as a mirror, reflecting the fantasies of the characters before it, exposing their limitations, longings and deepest secrets.

The cleverly slanted stage was skillfully designed by Dana Tzarfati, Dedi Baron directed courageously and the costume design by Kirsten Dephoff was amongst the finest I’ve ever seen.