Kiel Theatre



 House of Bernarda Alba

We focused on two main aspects in the work: materialism and the aestheticism of fascism. 

The stage is made of rubber strings, and it was important for me to maintain this materialistic aspect in my video work as well. With Omri Grossman's help, as he created the aftereffects, we made a bullet of the simile across a longitudinal grid. The work was like sculpting across a grid. We used two-dimensional similes and created a bullet across a moving surface.

At the first moment, as the video work met an audience, it seemed like the video strings themselves were moving, and not the video projected on the strings. In the second part of the performance, I tried creating an aesthetics of identical items as a unifying mechanism, leaving out the individual.

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